Blackmagic Camera Full Frame 12K with 12288x8040 Resolution, 4" 1920x1080 Display (PL-Mount)

Blackmagic PYXIS is the next generation customizable camera you've been waiting for! Blackmagic PYXIS is a premium digital film camera that produces accurate skin tones and rich, natural colors.
Its extremely versatile design lets you build the perfect rig for your productions. It features a 36 x 24mm full frame 12K sensor with wide dynamic range and a built in low pass filter specifically designed for the sensor's specifications.
It features 2 Cfexpress card slots and an Ethernet port for sharing files to the Blackmagic Cloud!
It can also record 12-bit Blackmagic RAW and the tiny H.264 proxy format at the same time.

Highly customizable design
It features mounting points and side plates for accessories, Blackmagic PYXIS easily transforms into the camera that's right for you.
The compact camera body is made from precision CNC-machined aircraft-grade aluminum, making it super strong and lightweight.
It's super easy to mount on a wide range of rigs such as cranes, gimbals and drones!
In addition to multiple 1/4" and 3/8" threaded mounting points on the top and bottom, Blackmagic PYXIS features multiple side plates for attaching a variety of accessories such as handles, microphones and even SSDs.
This makes for a truly robust and reliable camera that you can customize to suit your production needs.

Large Format Digital Cinema Sensor
Blackmagic PYXIS models feature a massive full frame sensor with a native resolution of 6048 x 4032 or even 12288 x 8040! That's about three times larger than a Super 35 sensor, allowing you to shoot shallow depth of field or use uncropped anamorphic lenses for true cinematic looks.
Whether you're shooting in bright sunlight or in near darkness, the huge dynamic range combined with the high performance sensor delivers stunning images with very low noise.
PYXIS also lets you shoot up to 120 fps on the 6K model, or up to 112 fps on the PYXIS 12K model.
The incredible sensor and Blackmagic Color Science give you the same quality as more expensive digital film cameras.

Full Frame Flexibility
Blackmagic PYXIS's large full frame sensor lets you work in a variety of film formats and aspect ratios without sacrificing image quality!
By using the entire sensor area you get a stunning 3:2 open gate image that can be re-framed in post production.
The large sensor also lets you shoot in 6:5 anamorphic without cropping, so your widescreen images will have more detail and resolution than ever before.
You can also use it in classic Super 35 windowed mode to create a close-up version of the shot that perfectly matches the open gate footage.
That's all you need to create the highest quality cinematic content!

Three Lens Mount Options
Blackmagic PYXIS supports the widest range of lenses in the world because there are three different versions available that let you use L, EF or PL lenses! The L mount model works perfectly with the latest full frame lenses from Leica, Panasonic and Sigma, as well as a myriad of new and vintage lenses when used with adapters.
The EF mount model lets you use the high quality photographic lenses you already own for your DSLR or Blackmagic Pocket Cinema Camera.
The PL mount model is designed to allow you to use professional cinema lenses from brands including Zeiss, ARRI and Cooke without the need for an adapter.
Blackmagic PYXIS lets you choose the lens mount that best suits your creative needs!

Amazing High Dynamic Range (HDR) Images
The distance between the lightest and darkest parts of an image is called dynamic range and is measured in stops.
The Blackmagic PYXIS 6K has a massive 13 stops of dynamic range, while the PYXIS 12K model has a massive 16 stops, so you can retain more detail in the brightest and darkest areas of the image than a typical video camera.
This lets you set the exposure for indoor scenes, such as a coffee shop, while still retaining the detail in the window lighting.
The camera also comes bundled with DaVinci Resolve Studio, giving you complete creative control over exposure and detail recovery when grading.

General
Effective sensor size: 35.64mm x 23.32mm (large format)
Pixel pitch: 2.9 microns
Lens mount: PL-Mount
Lens control: Aperture and focus for compatible lenses
Dynamic range: 16 stops
Native ISO: 800
Shooting resolutions:
12,288 x 8040 (12K 3:2 open gate)
12,288 x 6912 (12K 16:9)
12,288 x 6480 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)
8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)
4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)
Frame rate:
Project frame rate: 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. The sensor's maximum frame rate varies based on the resolution selected
High Frame Rates:
12K (3:2 open gate) up to 40 fps
12K (16:9) up to 45 fps
12K (17:9) up to 50 fps
12K (2.4:1) up to 60 fps
12K (6:5) up to 40 fps
9K (3:2 Super 35) up to 50 fps
9K (16:9 Super 35) up to 65 fps
9K (17:9 Super 35) up to 65 fps
9K (2.4:1 Super 35) up to 80 fps
9K (6:5 Super 35) up to 50 fps
8K/4K (3:2 open gate) up to 72 fps
8K/4K (16:9) up to 84 fps
8K/4K (17:9) up to 90 fps
8K/4K (2.4:1) up to 112 fps
8K/4K (6:5) up to 72 fps
Focus: Autofocus available with compatible lenses
Aperture: Physical wheel and touchscreen slider for manual adjustment on electronically controlled lenses, instant auto-adjust button for compatible lenses
Display Size: 4" 1920 x 1080
Display Brightness: 1500 nits
Display Type: Capacitive LCD touchscreen
Timecode: Highly accurate counter with less than 1 frame slippage every 8 hours

Connections
Video Inputs: No
Video Outputs:
- 1 x 12G-SDI up to 2160p60
- 1 x USB-C for viewfinder with power, data, video and locking connector
Analog Audio Inputs:
- 1 x mini XLR for analog audio, switchable between mic with phantom power and line level (up to +14 dBu).
- 1 x 3.5mm stereo
Analog Audio Outputs: 1 x 3.5mm headphone jack
Reference Inputs: Tri-Sync / Black Burst and Timecode
Computer Interface: USB-C for recording on external drives, PTP camera control and software updates
Ethernet: 1 x RJ-45 10Gb/s connector compatible with BASE-T 10/100/1000/10G

Standard
HD video standards: 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
Ultra HD video standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Standard Compliance: SMPTE 424M, SMPTE 425M Level A and B SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 ??and SMPTE 2082-10.
SDI Audio Sampling: 48kHz 24-bit sample rate (television standard)

Audio
Microphone: Built-in stereo microphone
Built-in speaker: 1x mono

Media
Media: 2 x Cfexpress Type B slots, 1 x USB-C port (10Gbps) for recording Blackmagic RAW and H.264 proxies to external media
Formatting: ExFAT (Windows/Mac) or HFS+ (Mac)

Network Management
NTP: NTP allows the camera to sync the time when connected to a network with your chosen NTP server
Web Media Manager: Using a web browser connected via Ethernet, the web media manager allows you to access, navigate, download and delete files from the drive connected to the camera
FTP: Using FTP you can download files from drives connected to the camera
SMB: File sharing using SMB

Software
Software Included:
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows with activation code
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test

Power Requirements
Power: 1 x external DC 18V 90W
External Power Input: 1 x locking 2-pin Lemo connector
Compatible Batteries: BP-U Series
Performance: 12-18V

Environmental Specifications
Operating Temperature: 0° to 40°C
Storage Temperature: -20° to 45°C
Relative Humidity: 0% to 90% non-condensing